In the workshop of Petrarchi’s Canzoniere (=6 ECTS)
Programme
The question of macro- and micro-textual drawing up of the Canzoniere’s redactions (from the earlier autographs down to the final form of the book) will be tackled. Having delineated this reference framework, students will be called upon to tackle an examination of the tradition and variants of one single lyric, assessing editors’ and critics’ interpretations through the study of autographs.
Texts
1. Francesco Petrarca, Canzoniere, ed. by Paola Vecchi Galli, Milano, Rizzoli (BUR), 2012;
2*. Francesco Petrarca, Canzoniere – “Rerum vulgarium fragmenta”, ed. by Rosanna Bettarini, Torino, Einaudi, 2005 [selected pages]
3*. Francesco Petrarca, Il codice degli abbozzi. Edizione e storia del manoscritto Vaticano latino 3196, ed. by Laura Paolino, Milano-Napoli, Ricciardi, 2000 [selected pages];
4*. Domenico De Robertis, Contiguità e selezione nella costruzione del Canzoniere petrarchesco, in Idem, Memoriale petrarchesco, Roma, Bulzoni, 1997, pp. 67-86;
5a*. Carl Appel, Zur Entwickelung italienischer Dichtungen Petrarcas, Halle a. S., Niemeyer, 1891 [selected pages];
5b*. Le Rime di Francesco Petrarca, restituite nell’ordine e nella lezione del testo originario, ed. by Giovanni Mestica, Firenze, Barbèra, 1986 [selected pages];
5c*. Il Canzoniere di Francesco Petrarca, riprodotto letteralmente dal Cod. Vat. Lat. 3195, a c. di Ettore Modigliani, Roma, Società filologica romana, 1904 [selected pages];
5d*. Francesco Petrarca, Rerum vulgarium fragmenta, ed. by Giuseppe Savoca, Firenze, Olschki, 2008 [selected pages].
* texts indicated with a star (*) will be made available online.
Further critical bibliography will be indicated at the time of assigning seminar work.
* texts indicated with a star (*) will be made available online
Non-attending students are required to make an appointment with Professor Pancheri at least three months before the exam.