The course unit will start from the analysis of the European cultural
contexts at the end of the nineteenth and the beginning of the twentieth
century
with the rise of Modernism. Following a loosely chronological approach
the course will investigate the modernist innovations in both poetry and
prose, focussing in particular on E. M. Forster and T.S. Eliot, and thus introducing the issues and debates concerned with the competing forms
of modernist writing. Then the course will move on to the study of some
poets who have literally changed the idea of culture, such as W.H.
Auden, Dylan Thomas, Philip Larkin, and John Betjeman. Finally, the
course will focus on John Fowles's much intriguing novel that will
introduce the student to postmodernist issues and to contemporary
debates on re-writings and parodic representations of the past.
Primary texts:
E.M. Forster, Howards End, Penguin (or any English Edition);
T.S. Eliot, The Waste Land, any English edition;
A Selection of Poems by W.H. Auden, Dylan Thomas, Philip Larkin, John
Betjeman (photocopies will be provided);
John Fowles, The French Lieutanant's Woman, any English edition
Critical texts:
Marroni, Lauri-Lucente and Zulli, E. M. Forster Revisited, Merope, 61-62
(2015)
Malcom Bradbury and James Macfarlane, Modernism, 1890-1930. A Guide
to European Literature, Penguin, 1991
Steve Ellis, T.S. Eliot, A Guide for the Perplexed, Continuum, 2009
Zachary Leader, The Movement Reconsidered, Oxford University Press,
2009
Linda Hutcheon, The Politics of Postmodernism, Routledge, 2002
Further articles and essays will be provided in due time.